Lot 23:
ASSORTED REFERENCE HISTORY BOOKS
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ASSORTED REFERENCE HISTORY BOOKS |
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Instant Furniture Refinishing; Building the Dream; Voices from the Harlem Renaissance; Living-Room War; The Homes of America; and Queens of England.
9 1/2" x 7"
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Image Text
Image 1:
NORAH LOFTS
The HOMES of
AMERICA
ROOM
WAR
ARLEN
QUEENS
…as they have expressed the lives of our people for three centuries
WRITINGS ABOUT TELEVISION
by ERNEST PICKERING
of ENGLAND
BUILDING
George Grotz
A Social History
OICES
THE
Instant
of Housing
Furniture
FROM THE HARLEM
DREAM
Refinishing
and Other
RENAISSANCE
Crafty Practices
OVER
120
SELECTIONS
Trade Secrets
Revealed by
the Famous
THE
Now You Too Can Refinish the Quick
POLITICAL
and Easy Way!
THE PERIOD
MATHAN IRVIN
Gwendolyn Wright
HUGGINS
NORAH
LOFTS
The
HOMES
of
AND
AMERICA
ROOM
WAR
ARLEN
QUEENS
have
expressed
the
lives
of our
people
for
three
centuries
WRITINGS
ABOUT
TELEVISION
by
ERNEST
PICKERING
of
ENGLAND
BUILDING
George
Grotz
A Social
History
OICES
THE
Instant
of
Housing
Furniture
FROM
THE
HARLEM
DREAM
Refinishing
in
and
Other
RENAISSANCE
Crafty
Practices
OVER
120
SELECTIONS
Trade
Secrets
Revealed
by
the
Famous
THE
RO
M
Furniture
Now
You
Too
Can
Refinish
the
Quick
POLITICAL
and
Easy
Way!
&
ARTS
THE
PERIOD
IRVIN
Gwendolyn
Wright
HUGGINS
Image 2:
LIVING-ROOM WAR
The
HUGGINS
NORAH LOFTS QUEENS of ENGLAND
of
Instant Furniture Refinishing George Grotz
George Grotz
MERICA
Building the Dream
ICKERING
VOICES FROM THE HARLEM RENAISSANCE
Instant
Furniture
Refinishing
and Other
Crafty Practices
Trade Secrets
Wright
Revealed by the Famous
Furniture Doctor!
and Easy Way!
Now You Too Can Refinish the Quick
Doubleday
BRAMHALL
HOUSE
VIKING
Doubleday
LIVING-ROOM
WAR
The
HUGGINS
NORAH
LOFTS
QUEENS
of
ENGLAND
of
Instant
Furniture
Refinishing
Grotz
George
Grotz
MERICA
Building
the
Dream
ICKERING
VOICES
FROM
THE
HARLEM
RENAISSANCE
Instant
Furniture
Refinishing
and
Other
Crafty
Practices
Trade
Secrets
Wright
Revealed
by
the
Famous
Furniture
Doctor!
and
Easy
Way!
Now
You
Too
Can
Refinish
the
Quick
Doubleday
BRAMHALL
HOUSE
VIKING
Doubleday
Image 3:
THE HOMES
OF AMERICA
as they have expressed
the lives of our people
for three centuries
ERNEST PICKERING
BRAMHALL HOUSE: NEW YORK
THE
HOMES
OF
AMERICA
as
they
have
expressed
the
lives
of
our
people
for
three
centuries
ERNEST
PICKERING
BRAMHALL
HOUSE:
NEW
YORK
Image 4:
Copyright MCMLI by Ernest Pickering
ALL RIGHTS RESERVED. NO PART OF THIS BOOK MAY BE
REPRODUCED IN ANY FORM, EXCEPT BY A REVIEWER,
PERMISSION OF THE PUBLISHER.
WITHOUT THE
This edition published by Bramhall House,
a division of Clarkson N. Potter, by arrange-
ment with Thomas Y. Crowell Company.
(B)
PRINTED IN THE UNITED STATES OF AMERICA
Copyright
MCMLI
by
Ernest
Pickering
ALL
RIGHTS
RESERVED.
NO
PART
OF
THIS
BOOK
MAY
BE
REPRODUCED
IN
ANY
FORM,
EXCEPT
BY
A
REVIEWER,
PERMISSION
OF
THE
PUBLISHER.
WITHOUT
THE
This
edition
published
by
Bramhall
House,
a
division
of
Clarkson
N.
Potter,
by
arrange-
ment
with
Thomas
Y.
Crowell
Company.
(B)
PRINTED
IN
THE
UNITED
STATES
OF
AMERICA
Image 5:
1965
1965
Image 6:
Copyright © 1966, 1967, 1968, 1969 by Michael J. Arlen.
All rights reserved.
First published in 1969 by The Viking Press, Inc.,
625 Madison Avenue, New York, N.Y. 10022.
Published simultaneously in Canada by
The Macmillan Company of Canada Limited.
Library of Congress catalog card number: 69-12255.
Printed in U.S.A. by the Vail-Ballou, Press, Inc.
Second printing April 1969
Except for the Introduction, "McCarthy in
Wisconsin, " "Kennedy in California, " and
material in this book
Copyright
©
1966,
1967,
1968,
1969
by
Michael
J.
Arlen.
All
rights
reserved.
First
published
in
1969
by
The
Viking
Press,
Inc.,
625
Madison
Avenue,
New
York,
N.Y.
Published
simultaneously
in
Canada
by
The
Macmillan
Company
of
Canada
Limited.
Library
of
Congress
catalog
card
number:
69-12255.
Printed
in
U.S.A.
by
the
Vail-Ballou,
Press,
Inc.
Second
printing
April
1969
Except
for
the
Introduction,
"McCarthy
in
Wisconsin, "
"Kennedy
in
California, "
and
inally
"Griefspeak, "
appeared
all
the
orig-
material
in
this
book
Image 7:
$5.95
LIVING-
ROOM
WAR
To David P. Williams
Since Michael , Arlen’s pieces on television
started coming out in The New Yorker a few
years ago, growing number of readers have
come to think of him as the best television
critic in this country. Which may be true,
but somehow doesn’t seem fully accurate, in
that being critic for the most part implies
somebody who a sits in 2 chair and looks at a
book or at play or at a movie, and what
has given Mr. a Arlen’s television pieces such
with best wishes
individual impact has been his awareness
that it isn’t possible
$5.95
LIVING-
ROOM
WAR
To
David
P.
Williams
Since
Michael
Arlen’s
pieces
on
television
started
coming
The
New
Yorker a
few
years
growing
number
of readers
have
come
to
think
of
him
as
the
best
television
critic
in
this
country.
may
be
true,
but
somehow
doesn’t
seem
fully
accurate,
in
that
being
critic
for
the
most
part
implies
somebody
who
a
sits
in
chair
and
looks
at
a
book
or
at
play
or
at
a
movie,
and
what
has
given
Mr.
a
Arlen’s
television
pieces
such
with
individual
impact
has
been
his
awareness
that
it isn’t
possible
Image 8:
This book was designed and produced in Great Britain by
George Rainbird Ltd,
36 Park Street, London W1 Y 4DE
Text filmset by Filmtype Services Limited, Scarborough
Printed and bound by Dai Nippon Printing Company
Limited, Tokyo, Japan
Library of Congress Catalog Card Number 76-40576
Copyright 1977 by Norah Lofts
Reprinted 1978
All Rights Reserved
First Edition in the United States of America
FRONTISPIECE
A portrait medallion of Margaret of Anjou
in 1463 by Piero da Milano.
Crown copyright, Victoria and Albert Museum, London
This
book
was
designed
and
produced
in
Great
Britain
by
George
Rainbird
Ltd,
36
Park
Street,
London
W1
Y
4DE
Text
filmset
by
Filmtype
Services
Limited,
Scarborough
Printed
and
bound
by
Dai
Nippon
Printing
Company
Limited,
Tokyo,
Japan
ISBN
Library
of
Congress
Catalog
Card
Number
76-40576
1977
by
Norah
Lofts
Reprinted
1978
All
Rights
Reserved
First
Edition
in
the
United
States
of
America
FRONTISPIECE
A
portrait
medallion
of
Margaret
of
Anjou
in
1463
by
Piero
da
Milano.
Crown
copyright,
Victoria
and
Albert
Museum,
London
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